PreSonus Studio 192 Mobile USB 3.0 Audio Interface

Get Exceptional Sonic Fidelity, Connectivity, And Professional Monitoring And Mixing Controls In A Compact Design - The Presonus Studio 192 Mobile USB 3.0 Audio Interface

Whether you're a producer, an audio engineer, an independent band, a sound designer, or all of the above, your Studio 192 Mobile was built for you to create.

An Integrated Solution

The Studio 192 Mobile provides an integrated, portable, hardware and software solution for recording in personal and professional studios wherever they may be. Switch between any two mixes using the Cue function and the onboard headphone amp. Software-controlled Dim and Mono options let you take control of your main mix. Use the six balanced outputs for monitor mixing or speaker switching, or both, depending on how you work. With its flexible software and abundant I/O, the Studio 192 Mobile fits into any recording and production environment.

Superior Sound

Connect a Studio 192 Mobile and you'll instantly hear details and an open high end you expect from a professional studio front end. The Studio 192 Mobile operates at up to 192 kHz for ultra-high-definition mixing and recording. High-quality Burr-Brown converters on every input and output provide 118 dB of dynamic range to capture complex musical harmonics smoothly and naturally with no audible distortion. And PreSonus' recallable XMAX microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound so you’ll hear every breath, transient, and detail in your recordings.

The Studio One in Studio 192 Mobile

With the Studio 192 Mobile, your audio interface is an integrated extension of your recording environment. Launch Studio One 3, and you'll find full preamp control and monitor-mix functions integrated into your recording environment. PreSonus' hybrid Fat Channel plug-in runs on the Studio 192's DSP and in Studio One on your computer so you can record and monitor with Studio 192-based processing and seamlessly switch to the Studio One Fat Channel for playback. Need to track away from your computer? Launch Studio One Remote on your iPad.

Remote Control with UC Surface, Too!

The Studio 192 Mobile's onboard features can also be controlled in PreSonus' free UC Surface control software, so even if you use third-party recording software, you can remotely access them. UC Surface has rapidly won accolades for an intuitive mixing interface that provides quick access to everything you need to create quality monitor mixes.

Great Signal Processors Are a Presonus Tradition

Adding just the right amount of effects and processing to a monitor mix can make a huge difference in a musician's ability to experience their performance naturally. To that end, the Studio 192 Mobile includes Studio One Fat Channel plug-in processing on every analog input and the first ADAT inputs, plus a stereo reverb and delay. The result is a better performance and a better recording.

Expandable When You Need More I/O

The Studio 192 Mobile has 18 digital inputs and outputs, allowing you to add more analog I/O when you need it. The DigiMax DP88 preamp/converter was designed to seamlessly extend the analog I/O on the Studio 192 Mobile with eight digitally-controlled XMAX preamps, ADAT I/O support up to 96 kHz, direct analog inputs, DAC outputs, and word clock I/O. Its mic preamps are fully remote-controllable from UC Surface, Studio One, and Studio One Remote when connected via ADAT Lightpipe to the Studio 192 Mobile so that they naturally extend your analog inputs both sonically and functionally.

SPECIFICATIONS

General

• 22x26, 24-bit, 192 kHz audio interface and studio command center
• Input monitoring with StudioLive Fat Channel DSP processing on every analog input and the first ADAT inputs
• Integrated zero-latency monitoring
• Speaker switching and talkback

Integrated Software

• Total integration with included Studio One Artist DAW software (Mac/Windows) for multitrack music production, monitor mixing with effects, and studio command features
• Wireless control over preamp levels, monitor mixing, and speaker switching from included UC Surface touch-control software (Mac/Windows/iPad) and from free Studio One Remote for iPad
• Compatible with most recording software for Mac and Windows

Flexible Connectivity

• Simultaneous I/O up to 22 inputs/26 outputs (8x14 at 192 kHz)
• Individual stereo main balanced outputs with mono, dim, mute, output metering and level control accessible from front-panel and UC Surface
• 2 front-panel combo microphone/instrument inputs
• 2 XMAX remote-controllable mic preamps with individually switched 48V phantom power
• 2 balanced, line level, direct-to-ADC inputs, available via dual-purpose rear-panel combo jacks
• 4 balanced 1/4" TRS outputs for monitor mixing and speaker switching
• ADAT Optical/Dual SMUX inputs/outputs: 16x16 channels at 44.1 or 48 kHz; 8x8 channels at 88.2 or 96 kHz
• Stereo S/PDIF coaxial input and output
• 1 high-volume headphone output with dedicated DAC
• BNC word clock input and output with low-jitter clocking

Digital

• USB 3.0 audio interface
• USB 2.0 compatible
• 24-bit resolution and up to 192 kHz sampling rate
• Top-quality 118 dB A/D/A converters

Physical Features

• Road-rugged construction with all-metal chassis and metal knobs
• 1U rack-mountable
• 18 VDC external power supply (included)

Microphone Preamp

• Type: XLR Female (via Combo), Balanced Remote
• Maximum Input level (min. gain, 1 kHz at 0.5% THD+N): +12 dBu, +/- 0.5 dB
• Gain Control Range: 60 dB, +/-1 dB
• Frequency Response (A-D): 10 Hz to 40 kHz, +/-0.2 dB
• Dynamic Range (min. gain, a-wtd): greater than 110 dB
• Dynamic Range (mid. Gain, unwtd): greater than 105 dB
• THD+N (min. gain, a-wtd): less than 0.005%
• Input Impedance: 1.6 kiloohms
• EIN (+55 dB gain, 150 ohm input, 20 Hz-22 kHz, a-wtd): less than 128 dBu
• Common Mode Rejection Ratio (1 kHz, +55dB gain): greater than 55 dB
• Phantom Power: +48V, +/- 3V, greater than 8mA per channel

Instrument Inputs

• Type: 1/4" TS Female (via Combo), Unbalanced
• Maximum Input Level: (min. gain, 1 kHz at 0.5% THD+N) +16 dBu +/- 0.5 dB
• Gain Control Range: 60 dB, +/- 1 dB
• Frequency Response (A-D): 20 Hz to 20 kHz, +/- 0.2 dB
• Dynamic Range (min. gain, a-wtd): greater than 110 dB
• Dynamic Range (mid. Gain, unwtd): greater than 105 dB
• THD+N (1 kHz, -1 dBFS, a-wtd): less than 0.005%
• THD+N (1 kHz, -1 dBFS, un-wtd): less than 0.005%
• Input Impedance: greater than 1 megaohm
• Crosstalk (1 kHz, channel-to-channel): less than -80 dB

Line Inputs

• Type: 1/4" TRS Female (via Combo), Balanced
• Maximum Input Level (min. gain, 1 kHz at 0.5% THD+N): + 18 dBu, +/- 0.5 dB
• Frequency Response (A-D): 20 Hz to 20 kHz, +/- 0.2 dB
• Dynamic Range (min. gain, a-wtd): greater than 114 dB
• Dynamic Range (mid. gain, unwtd): greater than 105 dB
• THD+N (1 kHz, -1 dBFS, a-wtd): less than 0.005%
• Input Impedance: 10 kiloohms
• Crosstalk (1 kHz, channel-to-channel): less than -80 dB

Main and Line Outputs

• Type (Line Outputs): 1/4" TRS Female, Impedance Balanced
• Type (Main Outputs): 1/4" TRS Female, Impedance Balanced
• Maximum Output Level: +18 dBu, +/- 0.5 dB
• Frequency Response: 20 Hz to 20 kHz, +/- 0.2 dB
• Dynamic Range (a-wtd): greater than 112 dB
• THD+N (1 kHz, -1 dBFS, un-wtd): less than 0.005%
• Output Impedance: 51 ohms
• Crosstalk (1 kHz, channel-to-channel): less than -80 dB

Headphone Outputs

• Type: 1/4" TRS Female, Stereo, Unbalanced
• Maximum Output Level: 150 mW/channel at 60 ohms
• Frequency Response: 20 Hz to 20 kHz, +/- 0.3 dB
• Dynamic Range (a-wtd): greater than 103 dB
• THD+N (1 kHz, -1 dBFS, un-wtd): less than 0.005%
• Crosstalk (1kHz, channel-to-channel): less than -80 dB
• Impedance Working Range: 16 ohms to 600 ohms

Internal Talkback Microphone

• Type: Electret Condenser
• Sensitivity: -42 dB

Signal Level LEDs

• Signal 1: -50 dBFS
• Signal 2: -30 dBFS
• Signal 3: -20 dBFS
• Signal 4: -10 dBFS
• Signal 5: -6 dBFS
• Signal 6: -4 dBFS
• Signal 7: -2 dBFS
• Clip: -0.5 dBFS

Digital Audio

• Host Interface: USB 3.0 (backward compatible with USB 2.0)
• ADC Dynamic Range (A-wtd, 48 kHz): 118 dB
• DAC Dynamic Range (A-wtd, 48 kHz): 118 dB
• Bit Depth: 24 bits
• Internally Supported Sample Rates: 44.1, 48, 88.2, 96, 176.4, 192 kHz
• ADAT Optical I/O: ADAT/SMUX II formats supported [16x16 (44.1/48 kHz), 8x8 (88.2/96 kHz)]
• S/PDIF I/O: RCA female connectors, supported up to 96 kHz
• Word Clock I/O: BNC Connector, 4.5 Vpp at 75 ohm load

Clock

• Jitter: less than 50 ps RMS (20 Hz - 20 kHz)
• Jitter Attenuation: greater than 60 dB (1 ns in equal to or greater than 1 ps out)

Power

• External Power Adapter: +12 VDC, 3.0A, center positive
• Connector Type: Barrel: 5.5mm OD, 2.1mm ID, 9.5 mm length

Physical

• Size: 1U Rackmount
• Dimensions (H x W x D): 1.75 x 19 x 5.5" (44.45 x 482.6 x 139.7 mm)
• Weight: 4.9 lb (2.22 kg)

System Requirements

• Mac OS X 10.8.5 64-bit or later
• Intel Core 2 Duo processor (Intel Core i3 or faster recommended)
• 4 GB RAM (8 GB or more recommended)
• Windows 7 x64/x86 SP1 + platform update, Windows 8.1 x64/x86, Windows 10 x64/x86
• Intel Core 2 Duo or AMD Athlon X2 processor (Intel Core i3 or Athlon X4 or faster recommended)
• 4 GB RAM (8 GB or more recommended)
• USB 2.0 port
• Internet connection
• Internal or external 7200 RPM storage drive highly recommended
• 30 GB hard disk space
• Monitor with 1366x768 resolution

IOS

• iOS 9.3 or later
• iPad Pro, iPad Air 2, iPad Air, iPad mini 4, iPad mini with Retina display, iPad (4th generation), iPad mini, iPad (3rd generation), iPad 2

• Android 5.0 (Lollipop) or later
• Android smartphone or tablet

*Note: The minimum system requirements may differ for DAWs other than Studio One. Please check the requirements for your DAW of choice with its manufacturer.

*Note that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) than you might experience while monitoring audio signals.

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